THIS SITE IS BEST VIEWED IN GOOGLE CHROME....................................................NOTE: Copyright Issues - Any image on this blog showing Blog's name or Blog address is not claimed to be created by the Blog's author unless otherwise specified.These images have been acquired from the web and Bha Bha Blogsghip bears no copyrights of these images.If you have any objection over any image or content please e-mail to bharatrbh@yahoo.com.

Wednesday, June 29, 2011

आता आठवतायत ते फक्त काळेभोर डोळे...


Lyrics
SANDEEP KHARE

Singer
SANDEEP KHARE/ SALIL KULKARNI

Music
SALIL KULKARNI

Album
SAANGH SAHKYA RE



आता आठवतायत ते फक्त काळेभोर डोळे
बाकी सारे आकार ऊकार, होकार नकार...
बाकी सारे आकार ऊकार, होकार नकार मागे पळत चाललेल्या स्टेशनांसारखे
मागेमागे जातजात पुसट होत चालले आहेत
पुसत जावेत ढगांचे आकार आणि उरावे एकसंध आभाळ...
- तसा भूतकाळ

त्याच्या छातीवर गवताची हिरवीगार कुरणं
भरून आलेली गाफील गाणी, काळे सावळे ढ़ग
आणि पश्चिमेच्या वक्षाकडे रोखलेले बाणाकृतीतील बगळे
आता आठवतायत ते फक्त काळेभोर डोळे


"बंध रेशमी तुझ्यासवे जे जुळले अन् क्षितीजावर रंग नवे अवतरले
घन दताताच एक क्षणात हे रंग बंध विस्कटले
तुटले!!! "

विसरत चाललोय
विसरत चाललोय नावेतुन उतरताना आधारासाठी धरलेले हात
विसरत चाललोय होडीची मनोगते, सरोवाराचे बहाणे
वा नावेला नेमका धक्का देणारी ती अज्ञात लाट
ती लाट तर तेव्हाच पुसली...
ती लाट तर तेव्हाच पुसली मनातल्या इच्छेसराखी
सरोवर मात्र अजुनही तिथेच....
पण त्याच्याही पाण्याची वाफ किमान चारदा तरी आभाळाला भिडून आलेली
आता तर लाटा नव्हे पाणीसुध्हा नवंय कदाचित....
पण तरीही जुन्याच नावाने सरोवाराला ओळखताहेत सगळे
आता आठवतायत ते फक्त काळेभोर डोळे!!!


"क्षण दरवळत्या भेटींचे, अन् हातातील हातांचे
ते खरेच होते सारे वा मृगजळ हे भासांचे?
सुटलेच हात, आता मनात हे प्रश्न फक्त अवघडले
तुटले!!!!"


तुझ्याकडे, माझी सही नसलेली माझी एक कविता, मीही हट्टी ....
माझ्याकडे तुझ्या बोटांचे ठसे असलेली एक काचेची पट्टी!
चाचपडत बसलेले काही संकेत, काही बोभाटे अजुनही....
चाचपडत बसलेले काही संकेत, काही बोभाटे अजुनही,
थोडेसे शब्द, बरंचसं मौन अजुनही!
बाकी अनोळखी होवून गेलो आहोत...
बाकी अनोळखी होवून गेलो आहोत, तुझा स्पर्श झालेला मी,
माझा स्पर्श झालेली तू, आणि आपले स्पर्श झालेलेहे हे सगळे
आता आठवतायत ते फक्त काळेभोर डोळे!!!


"मज वाटायचे तेव्हा हे क्षितीजच आले हाती
नव्हताच दिशांचा दोष, अंतरेच फसवी होती
फसवेच ध्यास, फसवे प्रयास, आकाश कुणा सापडले?
तुटले!!!"

उत्तरे चुकू शकतात, गणित चुकत नही
पावले थकू शकतात, अंतरे थकत नाहीत
वाळुवरची अक्षरे पुसट होत जातात
डोळ्यांचे रंग फिकट होत जातात
तीव्रतेचे उग्र गंध विरळ होत जातात
शेपटीच्या टोकांवरचे हट्ट सरळ होत
जातात विसरण्याचा छंदच जडले आताशा मला
या कविताना, शहरभर पसरलेल्या संकेत स्थळांना
विसरत चाललेल्या आहेत पत्ता न ठेवता निघून गेलेल्या वाटा
विसरत चालले आहे तळ्यावर बसलेले पश्चिमरंगी आभाळ
अन् विसरत चालले आहे आभाळालाही गोंदायला विसरणारे हिरवेगर्द तळे
आता आठवतायत ते फक्त काळेभोर डोळे


"मी स्मरणांच्या वाटांनी वेडयागत अजुन फिरतो
सुकलेली वेचीत सुमने, भिजणारे डोळे पुसतो
सरताच स्वप्न, अंतास सत्यहे आसवांत ओघळले
तुटले!"

... आता आठवतायत ... ते फक्त काळेभोर डोळे!!!!

Tuesday, June 28, 2011

दिस नकळत जाई...























Singer : Milind Ingle
Lyrics : Saumitra (Kishor Kadam)
Album : Saanj Gaarva





दिस नकळत जाई, सांज रेंगाळून राही
क्षण एक ही ना ज्याला, तुझी आठवण नाही

भेट तुझी ती पहिली, लाख लाख आठवतो
रुप तुझे ते धुक्याचे, कण कण साठवतो
वेड सखी साजणी हे, मज वेडावून जाई

असा भरुन ये ऊर, जसा वळीव भरावा
अशी हूरहूर जसा गंध रानी पसरावा
रान मनातले माझ्या, मग भिजूनीया जाई

आता अबोध मनाची, अनाकलनीय भाषा
कशा गूढ गूढ माझ्या तळहातावर रेषा
असे आभाळ आभाळ दूर पसरुन राही

दिस नकळत जाई



Monday, June 27, 2011

Rain for Rs 5000 only...





















A wonderful poetry from the film 'Thodasa Rumani Ho Jaaye' an Amol Palekar film with Nana Patekar in the lead role. A great movie about hope where Nana Patekar is a man who claims to bring rain within 48 hours in a drought affected area and demands Rs 5000 for the same. 

Haan Mere dost, wahi baarish

Wahi Barish jo asmaan se aati hai
Boondo mein gaati hai
pahaadon se fisalti hai
nadiyon mein chalti hai
nehro mein machalti hai
kuen pokhar se milti hai
khaprailon par girti hai
galiyon mein firti hai
mod par sambhalti hai
fir aage nikalti hai
wohi barish, yeh barish aksar gili hoti hai
isey paani bhi kehte hai
urdu mein aab
marathi mein paani
tamil mein tanni
kannad mein neer aur bangla mein jol kehte hai
sanskrit mein jise waari neer amrut paey ambu bhi kehte hai
greek mein ise aqua puraa
angrezi mein isse water bhi kehte hai
french mein auoo
aur chemistry mein h20 kehte hai
yeh paani aankh se dhaltaa hai toh aansoo kehlata hai
lekin chehre pe chad jaye to rubaab banjaata hai
koi sharm se paani paani ho jaata hai
aur kabhi kabhi yeh paani sarkari file’o mein apne kuen sameth chori hojaata hai
paani toh paani hai paani zindagani hai
isiliye jab rooh ki nadi sukhi ho
mun kaa hiran pyasa ho
dimag mein lagi ho aag
aur pyaar ki ghagar khali ho tab
aur tab mein hamesha yeh baarish naam ka gila paani lene ki rai deta hoon
WATCH THE SCENE HERE...

A must watch film...

NANA PATEKAR - A Great Indian Actor





Vishwanath "Nana" Patekar (Marathi: नाना पाटेकर) (born 1 January 1951) is an Indian actor and filmmaker.
Born Vishwanath Patekar in Murud-Janjira, Maharashtra, to Dinkar Patekar (a painter) and his wife Sanjanabai Patekar. He is an alumnus of the Sir J.J. Institute of Applied Art, Mumbai.


One of the greatest actor of India Nana Patekar is known for his natural effortless acting and specially for his tremendous dialogue delivery. He is not amongst the most glamorous actors in India, but there is no one who can match his acting skills. Other than being a great actor he is a wonderful speaker when he is giving speechs or having television interviews where he mesmerizes the listener. He is also known to give generously to the poor.



CAREER
He acted in movies such as Gaman (1978), Mohre (1987) and Salaam Bombay! (1988) and was noticed by the mainstream Bollywood industry for his portrayal of the villain in the 1989 film, Parinda, for which he won his first National Film Award for Best Supporting Actor. He was also awarded the Filmfare Best Supporting Actor Award for the role. He won the Filmfare Best Villain Award in 1992 for Angaar.

In 1994, he won the National Film Award for Best Actor for his performance in Krantiveer (1994). He also won the Filmfare Award and the Star Screen Awards in the best actor category.
Patekar has played various type of roles. He has played the occasional villain but has played a hero in most of his films. He played a truant, gambling son in Krantiveer (1994), a wife beater in Agni Sakshi (1996), a deaf and dumb father to his then off-screen lover Manisha Koirala in Khamoshi: The Musical (1996) and a schizophrenic in Wajood (1998). In the movie Ab Tak Chappan (2005) he plays a police officer whose main task is to rid the streets of underworld dons. Patekar has also done Comic roles in the recent film Welcome (2007) in which he plays a powerful crime lord who once desired to be an actor in films.
He turned director with his movie Prahaar: The Final Attack co-starring Madhuri Dixit. His other films as an actor include Hu Tu Tu and Bluff Master. For his performance in Apaharan, he received the Filmfare Best Villain Award as well as the Star Screen Award Best Villain. He is going to be in Sangeeth Sivan's next film, which is a remake of the Telugu film Athadu (2005) and as the character Anjaneya Prasad (CBI Officer), Which was originally played by Prakash Raj.
Patekar has also done some playback singing in the films Yeshwant (1997), Wajood (1998) and Aanch (2003).
He has an honorary Captain's Rank from Indian Army. He underwent training for his role as a Army officer in the movie Prahaar. He was thus awarded the rank. He joined the Territorial Army (India) in early 90s. At the age of 54, he took up the sport of rifle shooting. He qualified for the G.V. Malvankar Championships.
He has also acted in Marathi movies and plays. 

AWARDS

AwardFilmYearStatus
  • National Film Award
National Film Award for Best ActorKrantiveer1995Won
National Film Award for Best Supporting ActorParinda1990Won
National Film Award for Best Supporting ActorAgni Sakshi1997Won
  • Filmfare Award
Filmfare Best Actor AwardKrantiveer1995Won
Filmfare Best Supporting Actor AwardAndha Yudh1989Nominated
Filmfare Best Supporting Actor AwardParinda1990Won
Filmfare Best Supporting Actor AwardRaju Ban Gaya Gentleman1993Nominated
Filmfare Best Supporting Actor AwardTirangaa1994Nominated
Filmfare Best Supporting Actor AwardRaajneeti2011Nominated
Filmfare Best Villain AwardAngaar1992Won
Filmfare Best Villain AwardShakti – The Power2003Nominated
Filmfare Best Villain AwardApaharan2008Won
Filmfare Best Supporting Actor AwardRajneeti2011Nominated
  • Star Screen Awards
Star Screen Award Best ActorKrantiveer1995Won
Star Screen Award Best VillainApaharan2006Won
  • Bengal Film Journalists' Association Awards
Bengal Film Journalists' Association - Best Actor Award (Hindi)Ab Tak Chhappan2004Won


From Wikipedia, the free encyclopedia

Friday, June 24, 2011

Pandharpur Wari

विठूचा गजर हरिनामाचा झेंडा रोविला ।
The annual Pandharpur Yatra to the famous Vithoba Temple at Pandarpur in Maharashtra is an unparalleled pilgrimage that breaks the barriers of caste, creed, rich and poor. Vithoba Temple is also known as VitthalRukhmini Temple and is dedicated to Lord Krishna. The most important annual pilgrimage is a 21-day trek known as Pandharpur Ashadhi Ekadasi Waari and culminates on the Ekadasi day in the Marathi month Ashadi. In 2011, the Pandarpur Yatra Palki of Tukaram Maharaj from Dehu near Pune will start on June 22, 2011 and will end on July 11, 2011 at Pandarpur on Ashadi Ekadasi.


On the 11TH Day  of  the  bright  moon  in  the  month  of Aashaad [July] many devotees of the Warkari clan, singing & dancing all the way to the rhythmic beats of Cymbals & the Mrudunga (traditional Indian drum), reach the temple town of Pandharpur, to have a glimpse of Lord Vitthal. The clan, which consisted of only a handful of followers about half a century ago, today boasts of four to five hundred thousand pilgrims or warkaris as they are known.

The main Pandharpur Yatra starts from the Sant Tukaram Temple at Dehu. The warkaris or pilgrims follow the Tukaram Maharaj Palkhi procession. This main procession is joined by other palkhis from other towns and villages like the famous Sant Dnyaneshwar palkhi from Alandi.
Pandharpur Yatra takes place twice in a year one during Ashadhi Ekadasi (June – July) and another during Kartik Ekadasi (October – November).
Pandharpur Yatra is a classic example of unparalleled devotion to a personal deity, a great aspect of Bhakti sect. The amazing fact is that the Yatra is attracting more and more pilgrims each year. People young and old travel for kilometers barefooted chanting the holy names. The Yatra presents a perfect amalgamation of all castes, creed, rich, poor, young, old and children.

The Warkari ideology says that God has created all equal without discriminating between  nobility & low-birth, caste, creed or status. Everyone has an equal right to worship God. During this 250 Km. walkathon all devotees travel and eat together, so there remains no distinction between different casts. Even if you take a look at the list of saint’s names, you would find that they come from various casts & background.  
There is no definite information available on  the origins of this Wari Tradition which is a pilgrimage on foot to Pandharpur. However, there are some references made by Sant (saint) Namdev about Vitthalpant, Sant Dnyaneshwar’s father, joining the Wari to visit Pandharpur in the month of Aashaad & Kartik (October / November). So we can infer that the state of Maharashtra has seen this tradition being followed since at least the last 800 years. 
History tells us about many sects that have developed under of a King; however the Warkari clan has developed entirely due to the patronage of the people. This is perhaps because it is a people’s movement – constantly working towards creating awareness about devotion & righteousness. Defying existing rituals, the clan willingly opened its doors to people of all casts & creeds, giving everyone a sense of belonging to a group. This has given warkaris a measure of popularity. As such, the number of people joining this clan has increased considerably. 
Sant Tukaram’s Palkhi procession starts from Dehu & reaches Pandharpur via Aakurdi, Pune. Lonikalbhor, Yavat, Varvand, Baramati, Indapur, Akluj  & Wakhri respectively. Sant Dnyaneshwar’s Palkhi goes through the cities of Alandi, Pune, Saswad, Jejuri, Lonand, Faltan, Natepute, Malshiras, Velapur, Shegaon & Wakhri to Pandharpur. 
Both the Palkhis meet at Wakhri and proceed to Pandharpur. In this procession, a wide variety of people from all social and economic backgrounds flow into the sea of Warkaris and worship with same fervour & devotion. Apart from its spiritual benefits, this pilgrimage has other positive effects. People become aware of diverse regions & agricultural conditions, social variety & change…and most importantly, how to live life on meager necessities. A person who has experienced a lot of worldly sorrows achieves a sort of detachment from the everyday life and manages to get temporary relief from it.
In the eyes of Lord Vitthal, everyone is equal. They are his worshippers & have no other identity. This  doctrine  of  parity  & humanity  is  integrated into participants by means of this wari. Even though we live in a world that is becoming increasingly materialistic, thousands of devotees still find the time & commitment to join in the journey on foot, braving the sun & the rain, to get a new lease of life and gain spiritual happiness.  They walk 250 Km. to seek the blessings of Pandurang (Lord Vitthal) in Pandharpur. The Warkari, who had left for Pandharpur chanting the names of saints all the way, returns home with renewed zeal.

According to the Warkari ideology, the soul is the essence of every being’s life. God is a part of this essence. So, the sole objective of a Warkari in life is to ensure that the divine remains a part of the living experience.  


खेळ मांडला...Khel Mandala...


This is one of the song which excels in all departments, great music by Ajay-Atul, wonderfully sung by Ajay Gogavale and excellent lyrics by Guru Thakur.

               Guru Thakur 
Guru Thakur has also acted in this film.




गीतः गुरु ठाकुर.
संगीतः अजय-अतुल.
गायकः अजय गोगावले.
चित्रपट: नटरंग (२०१०).

तुझ्या पायरीशी कुनी सान-थोर न्हाई,
साद सुन्या काळजाची तुझ्या कानी जाई,
तरी देवा सरना ह्यो भोग तशा पाई,
हरवली वाट दिशा अंधारल्या धाई,
वोवाळुनी उधळतो जीव मायबापा,
वनवा ह्यो उरी पेटला,
खेळ मांडला,... देवा....खेळ मांडला |


सांडली गा रीतभात, घेतला वसा तुझा,
तुच वाट दाखीव गा, खेळ मांडला,
दावी देवा पैलपार, पाठीशी तू र्‍हा उभा,
ह्यो तुझ्याच उंबर्‍यात खेळ मांडला ||धॄ||


हे... उसवलं गणगोत सारं, आधार कुनाचा न्हाई,
भेगाळल्या भुईपरी जिनं, अंगार जीवाला जाळी,
बळं दे झिजायाला, कीरतीची ढाल दे,
ईनविती पंचप्रान, जीवारात ताल दे,
करपलं रान, देवा जळलं शिवारं,
तरी न्हाई धीर सांडला, खेळ मांडला ||१||


Lyrics : Guru Thakur
Music : Ajay-Atul
Singer : Ajay Gogavale
Film : Natrang (2010)

tujhya payrishi koni saan thor nahi 
saad sunya kalajachi tujhya kani jayee 
he.. tari deva sar na hyo bhog kasha pai. 
haravali vat disha andharalya dhai .. 
vavaluni udhalato jiva maya bapa, 
vanava hyo uri petala ..khel mandala 
khel mandala -3 

sandali ga reetbhat ghetala vasa tuja, 
tucha vaat dakhiv ha khel mandala 
davi deva pahila par pathishi tu rha ubha 
hyo tujyach umbaryat khel mandala 

hey.. usawala gana gota sara.. aadhar kunacha nahi 
bhegalalya bhui pai jeena .. angar jivala jali 
bal de junjayala kirpechi dhal de... inviti panchpran jivarat tal de 
karapal ran deva jalala shivar tari nahi dhir sandala 
khel mandala....
....Follows a small awesome dance music piece by Ajay-Atul which marks the entry of the main lead actress (Sonali Kulkarni) in the film.
Watch SONALI KULKARNI ENTRY...


Top 5 Popular Posts